Posts Tagged ‘flowers’

Growing Out Of The Wall

Passing by the wall of an old Suffolk church today, we were called to attention by an amazing display of St. John’s wort growing out of the cracks, so we stopped to pay a visit…

and found a whole array of burgeoning wild blooms, including harebells,

and yarrow,

along with the more familiar kinds of wall plants, like ivy-leaved toadflax,

and pellitory of the wall itself:

Let more wild plants cheer up old walls!

October Flower Stars

I’d been growing Mexican pink evening primrose (Oenothera berlandieri) for years; it always came up somewhere near where it had been the previous year, with its red-veined, golden-hearted pink flowers and delicate, clean scent. And then this year, I could find it nowhere. I felt quite upset about it.

Then a few days ago at the beginning of October, long after it normally blooms, I discovered in the grass one flower in bloom. It was a very joyful moment. And here it is:

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Not too far from the evening primrose, another star blooms its way into the autumn. One big borage plant with flowers that just keep coming:

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Recalling the flowers and fruits of the summer as it races by…

The summer races by, and with different plants flowering (and fruiting) at different times, it’s easy to forget that the woad was blooming for weeks early on, and the Jacob’s ladder, the garden sage and the knapweeds, all these flowers now over and replaced by marigolds, cosmos, marshmallows, wild carrot. Blackcurrants followed raspberries followed strawberries. I’ve kept a (somewhat desultory) photo record this year, and here are some (though by no means all) of the plants which have been flowering and fruiting – in the garden, in the woods, and down by the sea. Beginning from today and going backwards!

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Squash, as yet unidentified, climbing up through the hawthorn tree, at 7 feet already and showing no sign of stopping – spot the growing green gourd through the leaves (Photo: today, 19th August 2016).

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An Alberto’s Locoto chilli (Capsicum pubescens) in its second year. No flowers or fruits last year, but both plants overwintered in the conservatory, and have burgeoned this summer. There are over 20 juicy fruits on this one to date, and more flowers appearing as I write. Seeds originally from The Real Seed Catalogue.

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4 o’ clock plant fully out by 5.30pm (6th August) with lovely yellow flowers and marvellous scent. Native to the Americas and in the Nyctaginaceae family (Mirabilis jalapa). Still blooming away two weeks later.

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As of 6th August, a small number of butterflies had appeared on the buddleia and elsewhere in the garden. Over the past few hot and sunny days, the numbers have increased slightly, mostly peacocks and scarlet admirals, along with one or two painted ladies and meadow browns.

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Into the woods to discover slender St. John’s wort, enchanters nightshade and scullcap.

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Marshmallow in the first week of July. This plant, which has been with us since 2012, has really come into its own this year.

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Out of the garden and into the wild dunes. Ancestor sea peas were in abundance throughout June and July, as was fellow legume restharrow.

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Back in the garden, a meadow brown butterfly visits the knapweed. And (below) I rescue several valerians whose leaves have been decimated by an unknown decimator!

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Red roses, strawberries, wild honey and a bunch of fresh and fragrant herbs for the first wild yeast mead of the summer. We drank it fresh and delicious at only a couple of weeks old.

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Sage (Salvia officinalis), moon daisies and Jacob’s Ladder doing their glorious things in June.

A Mead of Fruits, Flowers and Herbs

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This morning I got my first mead of the summer on the go – red roses, strawberries, wild honey, spring water and a bunch of fresh herbs, most from the garden, and everything apart from the honey from no further than two miles away.

The fresh herbs include anise hyssop, apple mint, lemon balm, spearmint, yerba buena (what would we do without the mint family?), along with some sunflower fellows: alecost leaves and mugwort flowerbuds.

Over the next ten to fourteen days there will be vigorous stirrings and smellings and bubblings and fizzings, followed by very merry drinkings!

See this post for how to give it a go yourself: How to Make a Herbal Mead Elixir

Goldfinches

As I write this from near the east coast of England at 2pm on 17th December 2015, the weather outside is mostly overcast with pale gold light streaking through the clouds to the south. It is also extremely mild, probably 14 degrees Celsius.

Not such a different temperature in fact to that of the early October day when I took this picture of a flock of goldfinches which had landed in the elder tree at the bottom of the garden.

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It’s not a particularly sharp or fine picture and I don’t have a very good camera; but something about the flashes of dandelion gold on the goldfinches’ wings, as if the colour came directly from the sunny flower of that plant itself, whose seeds they love to eat, made me want to post it…

How to make a Herbal Mead Elixir

This month the 8th issue of Dark Mountain (and first themed book and paperback) was published. Titled Technê, it is a wide-ranging collection of essays, reflections and maker guides on all aspects of technology and tools. At its launch at the /i’klectik/ art lab and cafe in Lambeth, I demonstrated in six intense minutes how to make a wild autumn mead, whilst Charlotte gave a slideshow of some of the artworks and photographs in this densely illustrated volume. I also joined the crew for this issue as proofreader and Charlotte co-edited the book and wrote two of its pieces. This is the first, a short practical one about making mead, which also appears on her own blog:

How to make a Herbal Mead Elixir – by Charlotte Du Cann

This is a mead made for a talk about Dark Mountain at the 2 Degrees Festival at Toynbee Studios, Whitechapel, last June. My fellow editor Steve Wheeler and I had been invited to present our talk without any technology or power, as part of a ‘de-industrialising‘ workshop called ‘Breakdown breakdown’, organised by the artist and activist Brett Bloom.

I took a jar of mead along as part of the performance.

Honey and water infused by botanicals make the simplest, most off-grid, hands-on, archaic, indigenous drink you can find anywhere. You can conjure mead elixirs from any fruit or leaves or roots, depending on your intent or sense of adventure. Fragrant elderflowers, bitter dandelion roots, birch bark, hawthorn berries; the mead circles of rural Tennessee, according to master fermenter Sandor Ellix Katz, make them with just about with anything. Ours had a fruity theme: conference pear, lemon balm, apple mint, lime blossom honey. The key ingredient in mead is raw honey. The honey has to be non-pasteurised, so it contains the wild yeasts that make fermentation happen.

Midway through the presentation, just after Steve had whirled about the circle of people, reading from his Dark Mountain piece, Ragnanok, about modern warrior training in Sweden, I passed the mead around to see if anyone could guess what it was. No one did, although a girl from Finland did say it reminded her of something her people made with raisins.

‘Well, if you know your Nordic mythology,’ I said, ‘you’ll know that when Odin and his sky warriors weren’t preparing for the Last Battle, they were drinking mead!’

The first time I encountered mead, I was investigating plant medicine in Oxford. One night, I dreamed my head was covered in bees. It was intense. The second time was at an editorial meeting in London. Six of us had been running a newspaper against the odds and were closing shop after three years. We sat in a circle, feeling The End drawing nigh, when the managing editor exclaimed, ‘Let’s have some mead!’ and brandished a Kilner jar containing an elixir of rose petals, redcurrants and windfallen cherry plums. Five minutes later we were all falling about laughing. I thought I was going to burst with happiness.

‘It might be the end of the world as we know it,’ I declared to the audience. ‘but at least we can have a good time!

INGREDIENTS:

1 handful each of mint and
lemon balm leaves

1 ½ litres of pure spring or
boiled water

1 pear (organic), chopped (or
any unsprayed seasonal fruit)

½ jar of raw honey (small
local producers rarely process their honey)

1 ½ litre Kilner jar

METHOD:
Pick a good handful of lemon balm and mint leaves from a garden or unpolluted location, and make them into a strong tea with some of the water (just off the boil). The water needs to be pure non-carbonated spring water. If you use tap water make sure it is well boiled,
or left open overnight, to rid it of chlorine (although it may still contain chloramines depending where you live). Let it cool.

Dissolve the honey with some of the cooled tea in the Kilner jar, then add all the rest of the ingredients, plus several fresh lemon balm leaves.

Leave the jar somewhere warmish and visible. Every day take up a wooden spoon and swirl the mixture briskly anti-clockwise and then clockwise.

It doesn’t matter if you keep the jar open or closed, but if you close it you need to ‘burp’ the jar every day. It will make a satisfying hiss as the CO2 escapes and froth vigorously. Each day the mead will look different. The colour and fragrance will change. Transformation is happening!

After about 10 days it is ready to drink – though you can bottle and keep it for years. It is particularly delicious mixed with wine, fruit cordial, apple juice and/or sparkling spring water.

All the ingredients in this mead are traditional herbs for relaxing and cheering you up. Contrary to expectation, facing the end of the world as we know it can be a cheerful thing, as every attempt to deny the situation, or to keep things going against the odds, disappears. It opens up a space you didn’t think was there. Suddenly you can see what or who was around you all the time, but you were too fraught to notice. 

The alchemical mead jar at the centre of the talk was a kind of metaphor for the Dark Mountain Project. I wanted to show hown if you gather some creative uncivilised ingredients (people) together, they can made a heady, healing and joyful brew. What is happening in that Kilner jar is the magic and medicine of fermentation – communities of microorganisms working together, exchanging material, creating new forms, making life happen. All the active ingredients in honey are dormant until you mix them with water, and then everything wakes up. The yeasts that live on the surface of leaves and the skins of fruit add to the live action and flavour. The sweet nectar of flowers gathered and processed by millions of bees feeds them, and then us. Rewilding in a jar.

Sip, share and enjoy!

Images: front cover of Dark Mountain 8 designed by Andy Garside; a late summer mead with cherry plums, rowan berries and mallow (Mark Watson); Mark in action at recent Raw Food and Drink demo at Giddens & Thompon’s Bungay (photo by Josiah Meldrum)


Sunflowers and Tree Spinach to Brighten up the Back of the Library

A couple of years back I suggested to Charlotte and Lynne at the local library that it might be nice to brighten up the back border behind the building with some summer flowers. They thought that was a good idea, and this year I got round to it.

I felt it should be kept simple, with some tall plants to reach the top of the fence – so I started off some sunflowers and tree spinach at home, dug, sieved and prepared the soil in spring and popped the young plants in at the end of May.

Here is a collage of the border, starting in May and going up to the end of August. Unfortunately there are no pictures of the moment when most of the sunflowers were blooming – including a very large one which decided it wanted to face the house over the fence and not the libary! – because I forgot to take them.

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But as you can see, it did make a difference to that bare edge… and as of today, 8th September, the ‘China cats’ are still putting out blooms, the tree spinach has flowered, and the one here has outgrown the sunflowers:

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