Posts Tagged ‘raw food dishes’

How to make a Herbal Mead Elixir

This month the 8th issue of Dark Mountain (and first themed book and paperback) was published. Titled Technê, it is a wide-ranging collection of essays, reflections and maker guides on all aspects of technology and tools. At its launch at the /i’klectik/ art lab and cafe in Lambeth, I demonstrated in six intense minutes how to make a wild autumn mead, whilst Charlotte gave a slideshow of some of the artworks and photographs in this densely illustrated volume. I also joined the crew for this issue as proofreader and Charlotte co-edited the book and wrote two of its pieces. This is the first, a short practical one about making mead, which also appears on her own blog:

How to make a Herbal Mead Elixir – by Charlotte Du Cann

This is a mead made for a talk about Dark Mountain at the 2 Degrees Festival at Toynbee Studios, Whitechapel, last June. My fellow editor Steve Wheeler and I had been invited to present our talk without any technology or power, as part of a ‘de-industrialising‘ workshop called ‘Breakdown breakdown’, organised by the artist and activist Brett Bloom.

I took a jar of mead along as part of the performance.

Honey and water infused by botanicals make the simplest, most off-grid, hands-on, archaic, indigenous drink you can find anywhere. You can conjure mead elixirs from any fruit or leaves or roots, depending on your intent or sense of adventure. Fragrant elderflowers, bitter dandelion roots, birch bark, hawthorn berries; the mead circles of rural Tennessee, according to master fermenter Sandor Ellix Katz, make them with just about with anything. Ours had a fruity theme: conference pear, lemon balm, apple mint, lime blossom honey. The key ingredient in mead is raw honey. The honey has to be non-pasteurised, so it contains the wild yeasts that make fermentation happen.

Midway through the presentation, just after Steve had whirled about the circle of people, reading from his Dark Mountain piece, Ragnanok, about modern warrior training in Sweden, I passed the mead around to see if anyone could guess what it was. No one did, although a girl from Finland did say it reminded her of something her people made with raisins.

‘Well, if you know your Nordic mythology,’ I said, ‘you’ll know that when Odin and his sky warriors weren’t preparing for the Last Battle, they were drinking mead!’

The first time I encountered mead, I was investigating plant medicine in Oxford. One night, I dreamed my head was covered in bees. It was intense. The second time was at an editorial meeting in London. Six of us had been running a newspaper against the odds and were closing shop after three years. We sat in a circle, feeling The End drawing nigh, when the managing editor exclaimed, ‘Let’s have some mead!’ and brandished a Kilner jar containing an elixir of rose petals, redcurrants and windfallen cherry plums. Five minutes later we were all falling about laughing. I thought I was going to burst with happiness.

‘It might be the end of the world as we know it,’ I declared to the audience. ‘but at least we can have a good time!

INGREDIENTS:

1 handful each of mint and
lemon balm leaves

1 ½ litres of pure spring or
boiled water

1 pear (organic), chopped (or
any unsprayed seasonal fruit)

½ jar of raw honey (small
local producers rarely process their honey)

1 ½ litre Kilner jar

METHOD:
Pick a good handful of lemon balm and mint leaves from a garden or unpolluted location, and make them into a strong tea with some of the water (just off the boil). The water needs to be pure non-carbonated spring water. If you use tap water make sure it is well boiled,
or left open overnight, to rid it of chlorine (although it may still contain chloramines depending where you live). Let it cool.

Dissolve the honey with some of the cooled tea in the Kilner jar, then add all the rest of the ingredients, plus several fresh lemon balm leaves.

Leave the jar somewhere warmish and visible. Every day take up a wooden spoon and swirl the mixture briskly anti-clockwise and then clockwise.

It doesn’t matter if you keep the jar open or closed, but if you close it you need to ‘burp’ the jar every day. It will make a satisfying hiss as the CO2 escapes and froth vigorously. Each day the mead will look different. The colour and fragrance will change. Transformation is happening!

After about 10 days it is ready to drink – though you can bottle and keep it for years. It is particularly delicious mixed with wine, fruit cordial, apple juice and/or sparkling spring water.

All the ingredients in this mead are traditional herbs for relaxing and cheering you up. Contrary to expectation, facing the end of the world as we know it can be a cheerful thing, as every attempt to deny the situation, or to keep things going against the odds, disappears. It opens up a space you didn’t think was there. Suddenly you can see what or who was around you all the time, but you were too fraught to notice. 

The alchemical mead jar at the centre of the talk was a kind of metaphor for the Dark Mountain Project. I wanted to show hown if you gather some creative uncivilised ingredients (people) together, they can made a heady, healing and joyful brew. What is happening in that Kilner jar is the magic and medicine of fermentation – communities of microorganisms working together, exchanging material, creating new forms, making life happen. All the active ingredients in honey are dormant until you mix them with water, and then everything wakes up. The yeasts that live on the surface of leaves and the skins of fruit add to the live action and flavour. The sweet nectar of flowers gathered and processed by millions of bees feeds them, and then us. Rewilding in a jar.

Sip, share and enjoy!

Images: front cover of Dark Mountain 8 designed by Andy Garside; a late summer mead with cherry plums, rowan berries and mallow (Mark Watson); Mark in action at recent Raw Food and Drink demo at Giddens & Thompon’s Bungay (photo by Josiah Meldrum)


‘Kimchi Slaw’ Variations and a Jar of Smreka

Dear Reader, this post follows the variations on my recent ‘kimchi slaw’ fermentations. See here for original recipe link.

11th March 2015
Kimchi-Smreka March 2015New ‘kimchi slaw’ in the jar, this time leaving out the shitake mushroom water, powdered kelp and onion and adding organic sea lettuce (Ulva lactuca). This was dried, so I rehydrated it, draining the first 1/2 cup of water away (the smell was a bit strong for me, though I may give it a go next time).

I added another 1/2 cup water, then liquidised both sea lettuce and liquid for the sauce along with the cranberry juice, garlic, raw honey (from Bungay Community Bees), 1 homegrown Ring of Fire chilli, a lot of fresh ginger, half a dried pear and the flesh of a small apple.

These pickles/slaws/kimchis are really versatile. This morning’s version has a good, fresh smell of ginger and leek – I’ll be burping the jar from tomorrow and starting to eat it in three days.

The bubbling jar in the background is fermenting juniper berries aka smreka, following a recipe from Bosnia which appears in Sandor Katz’s excellent The Art of Fermentation. It’s been on the go for three or four weeks now, I release the lid at least once daily for burping, and I’ve had a sip – very light and sweet, even though it’s just juniper berries and filtered water with nothing added.

Early Feb 2015
The bulk of my latest fermentational ‘kimchi slaw’ experiment is made up of a Chinese cabbage Charlotte brought back from a Turkish shop in Tooting (on a recent Playing for Time visit to Lucy), along with local organic carrots, leeks, apples and a little chopped red cabbage.

This time I added a dash of organic cranberry juice to the sauce and the whole jar smells completely fresh and amazing. See here for full recipe and method of my previous kimchi slaw along with all relevant references, acknowledgements, inspirations and links!).

I’ll be tasting this one on Tuesday 10th Feb (giving it a full three days in the jar) and will report on it here (below the picture) for anyone interested.

Kimchi-Slaw 8 Feb
11 February 2015
Well that is my favourite ‘kimchi slaw’ ferment so far (even though I say that every time!). I enjoyed the fresh tartness of the apple (no pear this time), and the pungent flavour of those leeks goes brilliantly with the ginger. We opened the (litre) jar last night and finished a third of it, with handcut (by me) chips (French fries) done in the oven with rosemary, green peppercorns, rapeseed oil and lemon.

Text and Image by Mark Watson under Creative Commons with Attribution Non-Commercial No Derivatives license.

A Raw Food Demonstration

IMG_6286 On Saturday 11th October I’ll be visiting local Bungay greengrocers, Giddens and Thompson, and running three raw food “What Delicious Dish Can I make With…?” demonstrations in the shop as part of this year’s Waveney Valley Food & Drink Festival.

Simon Thompson says, “Mark will be making delicious dishes that are not only very good for you, but taste amazing. You’ll be able to sample all the dishes being made and take away recipe sheets (as well as purchase any ingredients you might need, of course).

???????????????????????????????Tickets cost £5 and booking is essential as places are filling up fast. There is a maximum of ten people at each demo.

To let Simon know which demonstration you’d like to attend: 10am, 12noon or 2pm, call 01986 897944. Each session will last about 30 minutes. Look forward to seeing you there!

Note: All of the featured raw food dishes have previously been tried, tested and thoroughly enjoyed at Sustainable Bungay’s monthly Happy Mondays at the Community Kitchen meals.

Images: Raw Food evening with the Low Carbon Cookbook group at The Nectar, Norwich, August 2011; beetroot, carrot, parsley, 2011. Both text and images by Mark Watson under Creative Commons Attribution-NonCommercial-NoDerivs license